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Houquan
From MartialWiki English
| Houquan | |
| Hou-Quan | |
| "Monkey Fist" | |
| Also known as | Tai Shing Men, Pek Kwar, Tai Shing Pek Kwar, Kou-ken |
| Origin |  China
|
| Founded by | Xiao Yingpeng |
| Primary focus | Striking, weapons |
Houquan (猴拳) is a Chinese martial art where the movements imitate monkeys or apes in fighting. One of the more acrobatic kung fu styles, movements often include falling, lunging, grabbing, jumping, and tumbling. The staff features prominently in its weapons training, with practitioners using it for attack, defense, and even climbing it like a pole to gain height in combat. The flamboyant movements and sometimes comic actions of the monkey style has made it a popular subject in Hong Kong martial arts movies.
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[edit] Origins
[edit] Hou Quan
Hou Quan (猴拳), literally Monkey Fist, can be traced back to the Han thesis writing service and is recorded in the Mi Hou Wu dance performed at the Emperor's court.[2] Contrary to popular beliefs, there are actually a number of independently developed systems of monkey kung fu. Examples includes Xingzhemen (行者門) named after the protagonist Sun Wukong of the popular Ming dynasty novel Journey to the West, Nanhouquan (南猴拳) or Southern Monkey Fist originating from the Southern Shaolin Temple as well as the more well known Tai Sheng Pek Kwar Moon (大聖劈掛門) style of Hong Kong. The houquan style from the Emei region, taught by the famous "Monkey King" Xiao Yingpeng and others, was also used as the basis for the modern wushu variant of monkey style (and monkey staff) that is often seen in demonstrations and competitions today. Each independent style has its own unique approach to the expression of how to incorporate a monkey's movements into fighting.
Hou Quan may have contributed to other styles as well. For example, Wang Lang, the 17th century founder of Northern Praying Mantis Boxing (tanglang quan), was said to have borrowed the footwork of the Monkey style to complement the extremely fast handwork of Praying Mantis Kung Fu.
[edit] Tai Sheng Men
Tai Sheng Men, or "Great Saint" Kung Fu, was developed near the end of the Qing dynasty (1644-1911) by a fighter named Kau Sze from a small village in Northern China. Legend states that while serving a sentence in prison, he observed a group of monkeys from his cell. As he studied their movements and mannerisms, he found that they combined well with his own Tei Tong style. While exact circumstances of Kau Sze's inspiration remain legend, upon his release he developed his new style of fighting and dubbed it 'Tai Sheng Men' (Great Saint Style) in honor of the Monkey King Sun Wukong in the Buddhist tale Journey to the West.
[edit] Pek Kwar
Pek Kwar Kung Fu dates back to the Ming Dynasty some time around 1500.It was widely taught in the army because it is practical, direct and powerful. Pek Kwar concentrates on upper body, forearm, fist, low stance training and total body co-ordination. "Pek" means "chopping or downward arm or fist attack" and "Kwar" means "swinging or upward arm or fist attack," in Chinese. Loosely translated it means "axe fist". (Pek Kwar Kuen is the Cantonese pronunciation for Pi Gua Quan.)
[edit] Tai Shing Pek Kwar
Tai Shing Pek Kwar Kung Fu (大聖劈掛門) was developed by Kau Sze's student Kan Tak Hoi, who started learning Pek Kwar kung fu from his father Kan Wing Kwai from as early as 8 years of age. Kan Wing Kwai was a master of Pek Kwar kung fu and after his death, Kau Sze decided to train Kan Tak Hoi in Tai Sheng Kung Fu. After mastering Tai Sheng Kung Fu and combining it with Pek Kwar Kung Fu, out of respect for Kau Sze's friendship, in naming the new technique Kan Tak Hoi placed Tai Sheng at the beginning followed by Pek Kwar hence the name Tai Sheng Pek Kwar Kung Fu.
[edit] Techniques
Traditional hou quan as taught in Mainland China includes running on all fours (i.e. the hands and feet), various difficult acrobatic movements such as flipping sideways in the air, front flips, back flips, back handsprings, hand stands, walking on the hands, forward lunges/dives, backward lunges, spinning on the butt, spinning on the back and many kicks and strikes. Most of the attacks are aimed at the knees, groin area, throat or eyes of the opponent and hand strikes are normally either open handed slaps or clawing with a semi-closed fist called the monkey claw. A wide array of facial monkey expressions are also practiced, inclusive of happiness, anger, fear, fright, confusion and bewilderment etc. Except for very brief periods, most movements inclusive of running are executed from either a squatting or semi-squatting position and are normally accompanied by very swift and 'jerky' head movements as the practitioner nervously looks around. The monkey staff, or hou gun (猴棍), is one of this style's specialty weapons. Monkey boxing is an imitative technique and so execution of the movements and facial expressions must be so convincing that it looks exactly like a monkey and not simply like a human imitating a monkey hence the very high degree of difficulty associated with this technique.
There are six variations of monkey kung fu developed as part of the Tai Sheng Men system, and still utilized in the later Tai Sheng Pek Kwar system (although the Crafty monkey variation described below may have been absorbed into the Lost monkey curriculum in Tai Shing Pek Kwar and Bak Si Lum among others, hence there are only five variations listed, in these systems):
- Drunken Monkey uses a lot of throat, eye and groin strikes as well as tumbling and falling techniques. It incorporates a lot of false steps to give the appearance it is defenseless and uses a lot of off balance strikes. The practitioner waddles, takes very faltering steps and sometimes fall to the ground and lies prone while waiting for the opponent to approach at which time a devastating attack is launched at the knees or groin areas of the opponent. In drunken monkey, the practitioner ustilizes more internal energy than any other. It is one of the most difficult of the monkey styles to master and also the most powerful.
- Stone Monkey is a "physical" style. The practitioner trains up his body to exchange blows with the opponent - Stone Monkey uses a kind of Iron body method. It will leave an area exposed on its body for an opponent to attack, so it can attack a more vital spot on the body.
- Lost Monkey feigns a lot. He/She gives the appearance of being lost and confused to deceive the opponent into underestimating his abilities, and he retaliates when least expected. The hands and footwork change and flow from each other at will. All monkeys are sociable animals and so they live in troops or family groups. They are also very territorial by nature and so when they wander into the territory of another troop there is normally a fight possibly resulting in death to the trespassers. This technique incorporates the fear, nervousness and mischief of a monkey who has wandered into a neighboring territory, in that it attempts to pick and eat as many fruits and insects as quickly as is possible while nervously looking around before scurrying back to its own home range.
- Standing Monkey or Tall Monkey is a relatively conventional monkey that likes to keep an upright position and avoid tumbling around. This style is more suited for tall people. Tall monkey likes to climb body limbs to make attacks at pressure points. It is a long range style.
- Crafty Monkey is very deceptive, it uses different faked emotions to lure opponents into attacking. By pretending to be scared for example it lulls the opponent into a false sense of security and waits for the opponent's guard to be down, then suddenly attacks when not expected. This variation is not listed in the Tai Shing Pek Kwar system, instead it appears to have been absorbed into the Lost Monkey curriculum.
- Wooden Monkey mimics a serious, angry monkey that attacks and defends with ferocity. The attitude of this monkey is more serious, and its movements are noticeably less light than the other monkeys. Wood monkey likes to grapple and bring its opponent to the ground.
[edit] In popular culture
- Houquan is the fighting style used by Eileen in the Virtua Fighter series and by Noob Saibot in the Mortal Kombat series.
- In the movie Kung Fu Panda, one of the Furious Five is a golden langur (voiced by Jackie Chan) that uses houquan.
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